Gosfilmofond digital restoration team completes the restoration of «A Chance Encounter»

That same year, together with foreign archives, retrospective screenings of films from Canada, Hungary, Italy, Czechoslovakia, Sweden, Yugoslavia, Bulgaria and Japan were organised, as well as programmes dedicated to the work of David Wark Griffith, Fritz Lang, Boris Barnet and others.

Gosfilmofond digital restoration team completes the restoration of «A Chance Encounter»

That same year, together with foreign archives, retrospective screenings of films from Canada, Hungary, Italy, Czechoslovakia, Sweden, Yugoslavia, Bulgaria and Japan were organised, as well as programmes dedicated to the work of David Wark Griffith, Fritz Lang, Boris Barnet and others.

Since 1966 the key strategy of the Illusion cinema has been screening masterpieces of world and Soviet classics and introducing audiences to contemporary festival and popular cinema. Around 300 events take place at the cinema every year, including 35 mm film screenings, retrospectives of landmark directors, silent film screenings with live music, premieres and special screenings, meetings with directors and film crews, and Russian and international film festivals.

That same year, together with foreign archives, retrospective screenings of films from Canada, Hungary, Italy, Czechoslovakia, Sweden, Yugoslavia, Bulgaria and Japan were organised, as well as programmes dedicated to the work of David Wark Griffith, Fritz Lang, Boris Barnet and others.

Since 1966 the key strategy of the Illusion cinema has been screening masterpieces of world and Soviet classics and introducing audiences to contemporary festival and popular cinema. Around 300 events take place at the cinema every year, including 35 mm film screenings, retrospectives of landmark directors, silent film screenings with live music, premieres and special screenings, meetings with directors and film crews, and Russian and international film festivals.

That same year, together with foreign archives, retrospective screenings of films from Canada, Hungary, Italy, Czechoslovakia, Sweden, Yugoslavia, Bulgaria and Japan were organised, as well as programmes dedicated to the work of David Wark Griffith, Fritz Lang, Boris Barnet and others.

Since 1966 the key strategy of the Illusion cinema has been screening masterpieces of world and Soviet classics and introducing audiences to contemporary festival and popular cinema. Around 300 events take place at the cinema every year, including 35 mm film screenings, retrospectives of landmark directors, silent film screenings with live music, premieres and special screenings, meetings with directors and film crews, and Russian and international film festivals.

That same year, together with foreign archives, retrospective screenings of films from Canada, Hungary, Italy, Czechoslovakia, Sweden, Yugoslavia, Bulgaria and Japan were organised, as well as programmes dedicated to the work of David Wark Griffith, Fritz Lang, Boris Barnet and others.

Since 1966 the key strategy of the Illusion cinema has been screening masterpieces of world and Soviet classics and introducing audiences to contemporary festival and popular cinema. Around 300 events take place at the cinema every year, including 35 mm film screenings, retrospectives of landmark directors, silent film screenings with live music, premieres and special screenings, meetings with directors and film crews, and Russian and international film festivals.